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Paul E. Nelson
Master of Arts
Specialization: Organic Poetry
May 2007
SUMMARY OF PROGRAM WORK
Coursework
Consciousness and the Living Universe with Rudy Ryser, Ph.D. Center for World Indigenous Studies, Olympia, Washington. 10 hours – June, 2004.
Semester One: August – December ’04. Six Credits. Essays: What is Open Form; Poet of Parturition: Walt Whitman; What is Consciousness and The Tibetan View of Sound.
Semester Two: January – May, 2005. Six credits. Essays: Kum Nye, Writing Out of Hell: The Practice of William Carlos Williams, The Oosumich of Open Form and Cuba Pictorial Essay. (Cultural Connections.)
Semester Three: September – December ’05. Six Credits. Essays: Dualism and Olson’s Antidote; The Sound of the Field; American Sentences: Catching the Shadow of the Moment; Changing a Culture: A Look at Cultural Modernism and Free Market Verse; and Third Semester Bibliography.
Semester Four: January ’06 – May ’06. Six Credits. Essays: Organic Poetry and Evolving The Organic.
Semester Five: September – December ’06. Six Credits. Essays: Inside Dolphin Skull and Crafting The Organic: George Bowering’s Kerrisdale Elegies. Also, interviews conducted with Robib Blaser and documented in Tracking The Fire in Open Form: An Interview with Robin Blaser and Sam Hamill, documented in Why Poetry Matters.
Semester Six: December ’06 – May ’07. Six Credits. Essay: Introduction to Organic Poetry. Also, created a website with all graduate papers at http://www.OrganicPoetry.org.
Seminars and Trainings
Tibetan Dur Bon workshops with Christopher Hansard. Tofino, B.C. 60 hours – July, 2004.
Protected Knowing Symposium with Richard Atleo, Ph.D., Olympia, Washington, 6 hours –March, 2005.
Victoria School of Writing Summer Session with George Bowering, Victoria, BC,
25 hours – July, 2005
Tibetan Dur Bon workshops with Christopher Hansard, Tofino, B.C., 60 hours – June, 2005.
Kum Nye workshop with Stephanie Wright, D.C., Tofino, B.C., 30 hours – September, 2006.
Special Projects
Writing Residency at Centrum, Port Townsend, Washington, 14 days, October – November, 2004.
Travel to Cuba for Cultural Connections, February – March, 2005.
Open Form/Organic Poetry workshops facilitated in Port Townsend, Washington, November, 2004; Poets-in-the-Park (along with panel moderation and participation on another panel) April, 2005; Haiku North America Conference, September, 2005; Highline Community College, Des Moines, Washington, October, 2005; Richard Hugo House, Seattle, Washington, November, 2006; Richard Hugo House at Park Place Books, Kirkland, Washington, six weeks, January and Fenruary, 2007 and another six week workshop series at the Richard Hugo House, Seattle, Washington, April and May, 2007.
Featured Readings at Walla Walla Poetry Party, Walla Walla, Washington, April, 2005; Burning Word Festival, Greenbank, Washington, April, 2005; & Now Literary Arts Conference, Lake Forest, Illinois, April 2006; Skagit River Poetry Festival, May, 2006.
Independent Readings
Books, articles, and other references as listed in Thesis Annotated Bibliography
Final Project: Thesis
Organic Poetry: A twenty-five page introductory essay, posted on a new website, with all relevant graduate writings at http://www.OrganicPoetry.org. This thesis discusses how an open form (organic) poetry discipline aids the process of individuation, the centers of Organic Poetry, how this poetics transcends materialistic consciousness, its resonances with scientific Field Theory, and its cosmology, sourced in Alfred North Whitehead and Hua Yen Buddhism.
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Pages
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- About Form: What Are American Sentences?
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- American Sentences 2010
- American Sentences 2011
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- Interviews
- Bhagavan Das – A Suburban Californian’s Quest to India
- Community Self-Reliance
- Diane Di Prima – American Poetry and the Beat Movement from a Female Perspective
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- Leslie Korn, Ph.D – Integrating Traditional and Modern Medicine
- Rupert Sheldrake Ph.D – The Scientific Basis for Understanding Animal Telepathy
- Sam Hamill – The Translation & Publishing Work of Copper Canyon Press
- Shahar Bram – The Sentience of Stones
- The Armenian Genocide and America’s Response
- The History of Evolution
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- It’s About Time Craft Talk Notes
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- Listen
- Nate Mackey
- Organic Poetry
- Along the Rim
- Amalio Madueno’s Response to Hell
- Changing a Culture (A Look at Cultural Modernism and Free Market Verse)
- Crafting the Organic: George Bowering’s Kerrisdale Elegies
- Cuba Pictorial Essay, February – March, 2005
- Dec 9, 2006: Robin Blaser Book Launch
- Dualism and Olson’s Antidote
- Evolving the Organic: The Letters of Robert Duncan and Denise Levertov
- Innovative Northwest Poets
- Inside Dolphin Skull: Michael McClure
- Introduction to Organic Poetry
- Lesley University Masters Study Plan
- Organic in Cascadia: A Sequence of Energies
- Organic Manifesto
- Organic Poetry
- Organic Poetry Essays
- Pacific Rim Poetics
- Paul Nelson Rain Taxi Interview (Greg Bem)
- PN Semester 3 Annotated Bibliography
- Projective Verse (Charles Olson, 1950)
- Projective Verse: The Spiritual Legacy of the Beat Generation
- Response to McClure’s “Mysteriosos”
- Robin Blaser Interview: Tracking the Fire
- Some Notes on Organic Form (Denise Levertov, 1965)
- Summary of Program Work
- The Meat Lab of Michael McClure: Mysteriosos and Other Poems
- The Oosumich of Open Form: Writing as Vision Quest
- The Sound of the Field (Olson)
- Walt Whitman: Poet of Parturition
- What is Consciousness?
- What is Open Form Poetry
- Why Poetry Matters: Sam Hamill Interview
- Writing out of Hell: The Practice of William Carlos Williams and the Opening of the Field
- Paul E Nelson Resume
- Pig War
- Qinghai Sunflowers
- SPLAB
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