A Reading of Projective Verse

This post has been edited to include video of the reading of the seminal Charles Olson essay Projective Verse:

Charles Olson

It was October 1995 and I had just finished lunch with Michael McClure, the day I met him. It was after an interview we conducted at the old KZOK-FM studios on Queen Anne Hill to discuss Three Poems and his break-though long poem Dolphin Skull. He wanted Vietnamese spring rolls, “not the fried ones,” and we went to a place on 12th & Jackson. As we looked downhill to Elliott Bay after lunch, we could see the Smith Tower and maybe the Olympic Mountains, and he told me if I liked his poetry, it was probably because of the method, which was “Projective Verse” and that I should read the essay by Charles Olson OUT LOUD because Olson wrote it in a way that emulated Ezra Pound. So, I did. I got the essay, probably from The Poetics of the New American Poetry and took it to KPLU, where (at the time) I was doing a weekly overnight shift.

I brought the book into a production studio and during tunes, read a paragraph or two and over the course of two shifts, I believe it was, I had the recording, which I then listened to over and over until I loaned the cassette to someone and never saw it again. But by then the piece was internalized. Not that I understood everything in it. I still don’t, and it is a life-long study, but I did wonder at the time how to discern the projective from the non-projective, made it (and methods sympathetic to PV, like Robert Duncan and Denise Levertov’s “Organic” and Jack Spicer and Robin Blaser’s “The Practice of Outside“) the basis of my graduate work. (Later I would see how the “impersonal” as related to Gary Snyder’s work was also a similar “stance-toward-poem-making.”)

Charles Olson was born on December 27, 1910 and would be 110 Sunday. Projective Verse was published in 1950 and would be 70 this year. To celebrate, and to leave a lasting legacy for those interested in this stance-toward-poem-making, Chuck Pirtle and I (at his suggestion) will read all of Projective Verse on Sunday, December 27, at 4pm and we hope you’ll “tune in” or watch the video, which I plan to post online and then link to THIS POST. This essay has been life-changing for me and is essential for anyone who wants to have a life of poetry and practice at a depth beyond the superficial, which is mostly what we have in poetry culture on this continent in 2020.

Paul E Nelson is inviting you to a scheduled Zoom meeting.

Topic: Paul E Nelson/ Chuck Pirtle Zoom Reading of Projective Verse
Time: Dec 27, 2020 04:00 PM Pacific Time (US and Canada)

About Splabman

Paul Nelson is founder of SPLAB (Seattle Poetics LAB) in Seattle, the Cascadia Poetry Festival and the August POetry POstcard Fest (PoPo). www.POPO.cards. He has published a collection of essays, Organic Poetry & a serial poem re-enacting the history of Auburn, WA, A Time Before Slaughter (shortlisted for a 2010 Genius Award by The Stranger) and American Sentences, a book of 17 syllable poems drawn from the first fourteen of his 20 years of daily practice. The tenth anniversary edition of that book includes Pig War: & Other Songs of Cascadia. He’s interviewed Allen Ginsberg, Michael McClure, Wanda Coleman, Anne Waldman, Sam Hamill, Robin Blaser, Nate Mackey, Eileen Myles, George Bowering, Diane di Prima, Brenda Hillman, George Stanley, Joanne Kyger & many Cascadia poets (see: https://paulenelson.com/americanprophets/) has presented his poetry and poetics in London, Brussels, Bothell, Cumberland, BC, Qinghai and Beijing, China, Lake Forest, Illinois, Ukiah, CA, and other places & writes an American Sentence every day. www.PaulENelson.com
This entry was posted in Uncategorized and tagged , , , , , , , . Bookmark the permalink.

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.