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PAUL E NELSON

Cascadia Poetry Festival 8 Paul E Nelson at the microphone

Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski

Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.– Kosho Itagaki, Soto Zen Priest
Resistance as Writing

Resistance as Writing

How can one write poetry about current political events without resorting to invective or rhetoric? Why is this important? Poetry is a use of language that is capable of a kind of depth of being...

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Eagle Harbor Book Company Canceled

Dear Faithful Blog Reader! The Winter in America (Again reading scheduled for tonight, Friday, July 11, 2025, has been canceled. The tour's last stop is tomorrow, Saturday, July 12, at 2pm at the...

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Poetry Postcards and Zen

Poetry Postcards and Zen

An amazing testimonial for the Poetry Postcard Fest though it was not intended to serve that purpose. It is from Kosho Itagaki of Temple Eishoji (where I sit three days a week.) He writes: 🚤...

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Matt Trease Interview The Outside

Matt Trease moved to Seattle, became a postcard poet, has long helped run the Margin Shift reading in Seattle, has been a board member of the Cascadia Poetics Lab for 8 years and is my good friend....

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Kosho, Basho, Sam, Michael

Kosho, Basho, Sam, Michael

If you did not know, I participated in the Jukai ceremony on December 11, 2023, under the direction of Kosho Itagaki, at Temple Eishoji in Rainier Beach. I took refuge in the Buddha, the dharma and...

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Announcing En*trance Journal

Announcing En*trance Journal

(Image: “Inga” (Detail) 65 x 85” acrylic on canvas, c.2012 © Frank Galuszka) I'm delighted to be an Editor-at-Large for a new journal out of Northern California called En*trance. It can be...

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CPL Wins Humanities WA Award

CPL Wins Humanities WA Award

On October 30 the Cascadia Poetics Lab was one of 50 individuals/entities honored with the Humanities Washington Award. They said: The Humanities Washington Award recognizes outstanding...

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DaySong Workshops

DaySong Workshops

As you may know, for the last few years I have added a day-long ritual poem writing project to my array of practices. I've come to call these events "daysongs" after the Canto Diurno by the late...

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Sam O'Hana April 16, 2025

The interview I conducted with Sam O’Hana, a Ph.D. student at CUNY, is immensely critical and immensely validating for the work we do at the Cascadia Poetics Lab. At its core, the discussion is about whether writing is for people of means, or if it can be people who have skill and something to say. It means the literary gatekeepers have failed us and have a role in perpetuating neoliberalism in North America which has paved the way for authoritarianism. The interview is available as a podcast here and as a YouTube video here. Below, I have pasted in the transcript and here is my introduction to Sam O’Hana and his topic.

Sam O’Hana on Opening Poetry to the Working Class

by Paul E Nelson