Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
“Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.”– Kosho Itagaki, Soto Zen Priest
Paul @ Bradner Gardens with Jim O’Halloran
Jim O'Halloran, the flute player and Subud brother with whom I have collaborated for at least sixteen years, wrote this yesterday: I’m delighted to be returning to Bradner Gardens Park again this...
Aug 9 Zoom Poetry Workshop
Along with three of the editors of Winter in America (Again, I'll be facilitating a workshop for the Arizona State Poetry Society on August 9 at 12N MST and PDT. (Confusing, I know. 12PDT.) I am...
Short ASPS Workshop Video
Meet Mayoral Candidate Katie Wilson
On Wednesday, July 23 at 6:30 Seattle Mayoral candidate Katie Wilson will discuss quality of life and culture in Rainier Beach with an emphasis on efforts to create affordable housing for artists...
Winter in America (Again Monday, July 21 via Zoom
From Bill O'Daly: Dear Friends and Family, A reading based on Winter in America (Again, an anthology developed in response to the 2024 election by poets Katie Sarah Zale, president of the Arizona...
Resistance as Writing
How can one write poetry about current political events without resorting to invective or rhetoric? Why is this important? Poetry is a use of language that is capable of a kind of depth of being...
Eagle Harbor Book Company Canceled
Dear Faithful Blog Reader! The Winter in America (Again reading scheduled for tonight, Friday, July 11, 2025, has been canceled. The tour's last stop is tomorrow, Saturday, July 12, at 2pm at the...
Poetry Postcards and Zen
An amazing testimonial for the Poetry Postcard Fest though it was not intended to serve that purpose. It is from Kosho Itagaki of Temple Eishoji (where I sit three days a week.) He writes: 🚤...
Matt Trease Interview The Outside
Matt Trease moved to Seattle, became a postcard poet, has long helped run the Margin Shift reading in Seattle, has been a board member of the Cascadia Poetics Lab for 8 years and is my good friend....
Kosho, Basho, Sam, Michael
If you did not know, I participated in the Jukai ceremony on December 11, 2023, under the direction of Kosho Itagaki, at Temple Eishoji in Rainier Beach. I took refuge in the Buddha, the dharma and...
New Edition of Entrance
As a contributor to En-trance Journal, I'm delighted to announce that an excerpt from my last interview with Sharon Thesen is part of the offering: https://www.entrancejournal.net/ Sharon has a...
Cascadian Prophets 2025 Spotify Wrapped Stats
I was quite happy with the news from Spotify when I watched their 2025 Wrapped summary of the podcast stats for Cascadian Prophets. I was in radio for 26 years and got into podcasting late, but here...
Andrew Schelling via Vidyā (in direct contact with rasa)
I've been granted permission from Andrew Schelling to post a small excerpt from his new book of Vidyā translations for my ongoing online workshops. The new book is Old Time Love Song Magic: Sanskrit...
The interview I conducted with Sam O’Hana, a Ph.D. student at CUNY, is immensely critical and immensely validating for the work we do at the Cascadia Poetics Lab. At its core, the discussion is about whether writing is for people of means, or if it can be people who have skill and something to say. It means the literary gatekeepers have failed us and have a role in perpetuating neoliberalism in North America which has paved the way for authoritarianism. The interview is available as a podcast here and as a YouTube video here. Below, I have pasted in the transcript and here is my introduction to Sam O’Hana and his topic.