Cascadia Poetics LAB logo

PAUL E NELSON

Cascadia Poetry Festival 8 Paul E Nelson at the microphone

Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski

Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.– Kosho Itagaki, Soto Zen Priest

No Results Found

The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.

517. Blue Demons

Another one of my 2014 photographs turned into postcard, this one begins the summer-long fascination with chicory. Once identified (thank you Carol Blackbird Edson), I began to eat as many of the...

read more

George Bowering @ 80

The first Parliamentary Poet Laureate of Canada turns 80 today. I first met George Bowering at the (sadly now defunct) Victoria School of Writing Summer School in 2005. I had started my graduate...

read more
Sam O'Hana April 16, 2025

The interview I conducted with Sam O’Hana, a Ph.D. student at CUNY, is immensely critical and immensely validating for the work we do at the Cascadia Poetics Lab. At its core, the discussion is about whether writing is for people of means, or if it can be people who have skill and something to say. It means the literary gatekeepers have failed us and have a role in perpetuating neoliberalism in North America which has paved the way for authoritarianism. The interview is available as a podcast here and as a YouTube video here. Below, I have pasted in the transcript and here is my introduction to Sam O’Hana and his topic.

Sam O’Hana on Opening Poetry to the Working Class

by Paul E Nelson