Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
“Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.”– Kosho Itagaki, Soto Zen Priest
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The Four Hoarse Men at the Frye Art Museum
The Four Hoarse Men participated in an evening of Sound Poetry, curated by Doug Nufer and Jason Conger last night (Nov 1, 2012) at the Frye Art Museum. Details are at the Four Hoarse blog.
Interview and Audio of Poet/Activist Brenda Hillman
Paul Nelson facilitated the visit of renowned poet and activist Brenda Hillman to SPLAB in November 2011, as part of the Visiting Poets Series. The whole interview is here. Hear a clip from the...
Diane Di Prima – American Poetry and the Beat Movement from a Female Perspective
Diane Di Prima - American Poetry and the Beat Movement from a Female Perspective Diane Di Prima is perhaps the most well-known female poet of the Beat Literary movement. She discussed how she...
The interview I conducted with Sam O’Hana, a Ph.D. student at CUNY, is immensely critical and immensely validating for the work we do at the Cascadia Poetics Lab. At its core, the discussion is about whether writing is for people of means, or if it can be people who have skill and something to say. It means the literary gatekeepers have failed us and have a role in perpetuating neoliberalism in North America which has paved the way for authoritarianism. The interview is available as a podcast here and as a YouTube video here. Below, I have pasted in the transcript and here is my introduction to Sam O’Hana and his topic.
