Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
“Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.”– Kosho Itagaki, Soto Zen Priest
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53. Nothing Death
53. Nothing Death A kiss is nothing in brackets. – Ramón Gomez de la Serna A poem’s nothing on paper. A stellar jay’s a punk in a western vista. Any death’s an opportunity. One wd sing his pop a...
61. Meat Again
Nothing forgets us more quickly than a barstool. Ramon Gomez de la Serna the sheer terror of being forced into incarnation in accordance with one’s will one’s agreement with the single intelligence....
Puget SOUND Poetry
Nico Vassilakis is curating a night of Puget Sound Poetry, Friday, March 23, 2012 7-9P at Vermillion, 1508 11th Av, as a prelude to the Cascadia Poetry Festival. Including: Cristin Miller Molly Mac...
The interview I conducted with Sam O’Hana, a Ph.D. student at CUNY, is immensely critical and immensely validating for the work we do at the Cascadia Poetics Lab. At its core, the discussion is about whether writing is for people of means, or if it can be people who have skill and something to say. It means the literary gatekeepers have failed us and have a role in perpetuating neoliberalism in North America which has paved the way for authoritarianism. The interview is available as a podcast here and as a YouTube video here. Below, I have pasted in the transcript and here is my introduction to Sam O’Hana and his topic.