Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
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Postcards for Garcia
A follow up to the post about my recent trip to Taos, New Mexico. Amalio Madueño is community development specialist and brilliant poet of Yaqui and Tarahumara heritage. I am indebted to Amalio for...
532. Old as the Devil
ANOTHER devil reference in this latest of the 2015 August Poetry Postcard Fest and an image of one to boot. I love how the neighbors across the street use a pole with netting at the end to harvest...
Taos April 2016
I have just returned from Taos, New Mexico, where I was invited to read at the Jazz & Poetry event produced by the Taos Bebop Jazz Society and Analog Eric and Judy Katzman. I had first gone to...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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