Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
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476. Logic of Ordnance
This poem continues from the last postcard poem and Levertov's notion of the acts that serve as counterstrokes to the ills of the world. She would have been writing about WWII, a war in which she...
475. Counterstroke
As with all 2014 August Poetry Postcard Fest poems, this one uses Levertov again as the source of its epigraph and the poem continues the theme of that quote and it weaves through familiar...
474. Ghost Training
The fourth poem from the 2014 August Poetry Postcard Fest, this one continues in the theme of the notion of The Practice of Outside. That an ancestor of Levertov was said to be able to understand...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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