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PAUL E NELSON

Cascadia Poetry Festival 8 Paul E Nelson at the microphone

Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski

Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
Celebration of Koon Woon

Celebration of Koon Woon

On Wednesday night at C&P Coffee Company in West Seattle, longtime Seattle poet and publisher Koon Woon was honored by his friends, by poets who he mentored and those who love him. Here is the...

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New Edition of Entrance

New Edition of Entrance

As a contributor to En-trance Journal, I'm delighted to announce that an excerpt from my last interview with Sharon Thesen is part of the offering: https://www.entrancejournal.net/ Sharon has a...

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CPL Wins Humanities WA Award

CPL Wins Humanities WA Award

On October 30 the Cascadia Poetics Lab was one of 50 individuals/entities honored with the Humanities Washington Award. They said: The Humanities Washington Award recognizes outstanding...

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DaySong Workshops

DaySong Workshops

As you may know, for the last few years I have added a day-long ritual poem writing project to my array of practices. I've come to call these events "daysongs" after the Canto Diurno by the late...

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Deborah Poe

How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems?  Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.

Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.

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Deborah Poe on "flagging the apocalypse pageantry"

by Paul E Nelson