Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
“Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.”– Kosho Itagaki, Soto Zen Priest
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Dementia Blog – Susan Schultz
Susan Schultz is a poet, critic, publisher and Professor of English at the University of Hawaii at Manoa. Her focus is modern and contemporary poetry, American literature, and creative writing. She...
Dominick DellaSala on Temperate and Boreal Rainforests (interview)
Dominick DellaSala, author of Temperate and Boreal Rainforests of the World, did a presentation on his book at Doe Bay Resort on May 8, 2011. We caught up with him after his presentation and...
Jerome Rothenberg Nov 2001 Interview
In the first part of a November 2001 interview, Jerome Rothenberg discussed his early introduction to the poetry of Federico Garcia Lorca, Lorca's use of the word duende, a kind of Spanish troll or...
The interview I conducted with Sam O’Hana, a Ph.D. student at CUNY, is immensely critical and immensely validating for the work we do at the Cascadia Poetics Lab. At its core, the discussion is about whether writing is for people of means, or if it can be people who have skill and something to say. It means the literary gatekeepers have failed us and have a role in perpetuating neoliberalism in North America which has paved the way for authoritarianism. The interview is available as a podcast here and as a YouTube video here. Below, I have pasted in the transcript and here is my introduction to Sam O’Hana and his topic.