Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
Linda Russo on the verdant
As the planet heats up, many animal species are either headed north or going extinct. This makes the work of the poet as witness that much more important. Who is here now? And as the culture becomes...
Cultural, then Political
I'm honored when I can be of use, or my writing or interviewing or organizing inspires someone. The latest example of that comes from my friend Andrew Engelson, who created the Cascadia Journal and...
The Dawn of HATE Postcards
Never in my 19 years of being involved with the Poetry Postcard Fest would I have have thought someone would take the time to lash out at a postcard recipient with a hateful message, but here we are...
The Singing Bullets of Soft Secession
For three years now since Sept 2022, I have written a day-long poem in a ritual that I've come to call the DaySong. There is much information about my history with this project here:...
It’s About Time 9.11.2025 6pm Ballard Library
Dear Friend in Poetry, Labor Day is over. The 19th Poetry Postcard Fest is over and I've written another daysong. After doing one of these all-day poem-writing rituals, it's about all I can think...
Sharon Thesen July 2025 Interview
What an honor to interview Sharon Thesen. Of all the people I know, she is in the 99th percentile regarding poetry perception. She has informed my own aesthetic, uses poetry as a tool to make...
rain shadow poetry festival
I'm delighted to be going back to Cumberland, BC, to participate in the rain shadow poetry festival. This is August 22-24, 2025, and is based on the work Adelia MacWilliam did in that part of the...
Paul @ Bradner Gardens with Jim O’Halloran
Jim O'Halloran, the flute player and Subud brother with whom I have collaborated for at least sixteen years, wrote this yesterday: I’m delighted to be returning to Bradner Gardens Park again this...
Aug 9 Zoom Poetry Workshop
Along with three of the editors of Winter in America (Again, I'll be facilitating a workshop for the Arizona State Poetry Society on August 9 at 12N MST and PDT. (Confusing, I know. 12PDT.) I am...
Short ASPS Workshop Video
Theodore Roethke and the Birth of Cascadian Poetry
I'm honored to be giving a talk/reading on the subject of: Theodore Roethke and the Birth of Cascadian Poetry on May 12, 2026. I have been invited by The Friends of Roethke organization....
Paul E. Nelson, Clyfford Still Museum Institute Residential Fellowship Program
04.20.26 for immediate release The Clyfford Still Museum Institute Residential Fellowship Program has announced its 2026 selections and named Paul E. Nelson as one of the Residential Fellows for the...
Interview with Aldon Lynn Nielsen on Gil Scott-Heron
I was a sophomore at Wright Junior College in Chicago in 1981, quite determined to be a professional broadcaster, listening to the progressive FM station that shaped my whole cosmology when a song...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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