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PAUL E NELSON

Cascadia Poetry Festival 8 Paul E Nelson at the microphone

Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski

Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.– Kosho Itagaki, Soto Zen Priest
AWP Readings

AWP Readings

I am delighted to participate in two readings at AWP which in L.A. this year. One is at the Asterism booth, #750, Thursday, March 27 at 11am. Asterism has picked up much of the slack of SPD's...

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Stephan Torre

Stephan Torre

One of the great joys in participating in the recent Cascadia: A Braided Land event at UBCO was meeting 84 year old Northern Cascadia poet Stephan Torre. With roots in Big Sur back in the days...

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Cascadia in Okanagan

Cascadia in Okanagan

I am delighted to participate in Cascadia: A Braided Land, at UBC Okanagan March 1 & 2. This event is the vision of Slava Bart, with assistance from Harold Rhenisch. Here is a description: I met...

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Ralph Towner 1940-2026

Ralph Towner 1940-2026

One of my greatest disappointments in life is that I never saw Ralph Towner in concert. He died today in Rome. There are many places online where you can get the details of his life and career and I...

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Celebration of Koon Woon

Celebration of Koon Woon

On Wednesday night at C&P Coffee Company in West Seattle, longtime Seattle poet and publisher Koon Woon was honored by his friends, by poets who he mentored and those who love him. Here is the...

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Deborah Poe

How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems?  Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.

Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.

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Deborah Poe on "flagging the apocalypse pageantry"

by Paul E Nelson