Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
Postcards from Mapes Creek June 8 4-7pm
I hope you'll consider coming to Rainier Beach this Sunday from 4-7pm to celebrate the arts of poetry postcards and our little urban stream that we hope someday will be totally daylighted. What...
Sam O’Hana on Opening Poetry to the Working Class
The interview I conducted with Sam O'Hana, a Ph.D. student at CUNY, is immensely critical and immensely validating for the work we do at the Cascadia Poetics Lab. At its core, the discussion is...
Poetry at Cascadia BioFi
Cascadia BioFi is happening Saturday May 17, and the Cascadia Poetics Lab will be presenting poetry with no admission charge at 7pm. The conference: "will bring together leaders at the edges of...
Four Winter in America (Again readings
There are some benefits to having 8 editors of an anthology. It is 8 times the networking capacity. This is the case this week for the ongoing creative resistance to the current USAmerican...
Matt Trease The Outside
I've known Matt Trease since he moved to Seattle in 2013. He's from Tennessee and has spent time in Ohio, Milwaukee and Chicago, and left his academic track just short of his dissertation. We...
AWP Readings
I am delighted to participate in two readings at AWP which in L.A. this year. One is at the Asterism booth, #750, Thursday, March 27 at 11am. Asterism has picked up much of the slack of SPD's...
Imbolc 2025 Dharma Position Daysong
I feel very fortunate to have successfully navigated another daysong, a day-long poem writing ritual. I set aside Imbolc 2025 to write, as that pagan holiday (& celebration of return of the...
Anne Tardos The Always Already Absent Present
What a joy to interview Anne Tardos about her new book The Always Already Absent Present. The audio is online thanks to Zach Charles and here is the video, recorded March 4, 2025. My introduction:...
Stephan Torre
One of the great joys in participating in the recent Cascadia: A Braided Land event at UBCO was meeting 84 year old Northern Cascadia poet Stephan Torre. With roots in Big Sur back in the days...
Notes for Christo Rey High School Talk on Bioregionalism
24-FEB-2025 How I got into radio. 1974, Lane Tech, cut-off record:Radio career: 1980-2026, Chicago, Baltimore, West Palm Beach, Appleton, Peoria, Seattle in 1988. Transition from D.J. to Community...
Lorin Medley Interview
Our latest Cascadian Prophets podcast interview is now up. Lorin Medley is a poet from Comox, B.C. Her first chapbook is On The Way to Kluusms, published by Watershed Press. Lorin Medley's poetry is...
We are Axolotls: Somos Ajolotes Anthology
I'm delighted to have work in a new bilingual anthology! From the Carbonation Press website: We are Axolotls: Somos Ajolotes is an edited collection of major US Latin@ poets, who have lived in the...
Gallery 100 Panel Discussion The Beauty Shop
I have the good fortune of being a moderator at Gallery 110 this Saturday from 4 to 6. 110 3rd Avenue S, Seattle. Saundra Fleming is one of 5 painters who are known as Beauty Shop. Their new exhibit...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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