Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
Cascadian Prophets: Interviews 1999-2023
Cascadian Prophets: Interviews 1999-2023 By Paul E NelsonEdited by Sharon Thesen Cascadian Prophets: Interviews 1999-2023 is the second collection of transcribed interviews taken from the 30 year...
Bradner Gardens Concert, Aug 17
I'm delighted to read poems again with the backing of the Jim O'Halloran Quartet, Saturday, August 17, 2024, 7pm at Bradner Gardens. The gardens are at 1730 Bradner Place South in the Mount Baker...
Social Acceleration and the Postcard Antidote
I was fortunate to be invited to teach spontaneous poetry methods at Holden Village, which is a spiritual retreat in the North Cascades. It is a former mining town and is a 45 minute drive from the...
Another DaySong (1980)
Another DaySong (1980) By Paul E Nelson Alongside The Day Song of Casa del Colibiri, Another Day Song (1980) is a fantastic meditation throughout the day via insight and poetry. Nelson's works...
Postcards from Here, Postcards from Mapes Creek
I had no idea when Bhakti Watts and I moved to Rainier Beach in 2017 how much we would love this neighborhood, how much it would give back to us and shape our lives. And yes, we've each survived...
A Journal of the Plague Years
I like to think of it as projective journalism. Maybe it's becoming a lost art to write and publish history with deep perception hours after events happen, but Susan Zakin and her crew at Journal of...
DaySong Miracle (Past 62) Profiled on SICA-USA
I was delighted to see the SICA-USA blog post written about my new book DaySong Miracle (Past 62). I knew it was coming, but to read the way my Subud brother Jim O'Halloran handled the information...
Memory’s Vault (book)
I had the good fortune last Sunday (May 19) to be invited to participate in a reading at Memory's Vault to celebrate the publication of the Empty Bowl book Memory's Vault: The Poetic Heart of Fort...
Larry Lawrence at Jack Straw
Writing a blurb for a friend or associate's book is a difficult task. One has to be compelling, has to have some credibility regarding knowledge of the book's content and has to have a call to act,...
DaySong Miracle (Past 62)
From Greg Bem in Spokane, WA: Greetings from Spokane! I am pleased to announce the third release from Carbonation Press: Paul E. Nelson's DaySong Miracle (Past 62). This small book is available...
Andrew Schelling via Vidyā (in direct contact with rasa)
I've been granted permission from Andrew Schelling to post a small excerpt from his new book of Vidyā translations for my ongoing online workshops. The new book is Old Time Love Song Magic: Sanskrit...
Free Winter in America (Still Workshop
PAUL E NELSONDear Poet, WHAT: Free online poetry workshop WHEN: Today at 12N PST WHERE: PEN zoom WHY: Winter in America (Still WHO: Roxi Power, allia abdullah-matta, Your Humble Narrator I am one...
CPL Wins Humanities WA Award
On October 30 the Cascadia Poetics Lab was one of 50 individuals/entities honored with the Humanities Washington Award. They said: The Humanities Washington Award recognizes outstanding...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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