Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
Black Holes and Virgos on Flute: New Jim O’Halloran CD
Review of Jim O’Halloran Quintet CD Jazz music has gone through four major changes in its century-plus time of existence. Ragtime and Dixieland gave way to Swing, to Bebop and then to Free Jazz....
Swell (the novel) (Reading 11.4.117P)
Paul Nelson reads with Jim O'Halloran on flute and with novelist Corwin Ericson, who is touring Swell in the Northwest! November 4, 2011, 7P. Mark your calendars for the Seattle book release party...
Paul E Nelson
To what do you train your attention? For over 30 years, Paul E Nelson has interviewed poetic luminaries such as Allen Ginsberg, Michael McClure, Anne Waldman, Robin Blaser, Sam Hamill, Wanda...
Wanda Coleman (Soap Opera Writing and Editor’s Mind)
Thinking of spontaneous composition during the 12th August POetry POstcard Fest while editing a Wanda Coleman interview from Fall 2000. She was one of our favorite visitors to the NW SPokenword LAB,...
Annual Bradner Gardens Concert
On August 18, 2018, from 6:30 to 8:30pm, I will again participate in what is becoming like a ritual for me, reading poems with Jim O'Halloran's band at perhaps the best community garden in the city,...
Elegy for Tahlequah’s Calf
A recent poem of mine was published in Cascadia Magazine. It is dedicated to the "Father of Cascadia" who suggested someone write a poem about this tragic incident. Thank you David McCloskey and...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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