Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
“Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.”– Kosho Itagaki, Soto Zen Priest
Inside the Day Song (Workshop)
Get your five page handout loaded with links, prompts and inspirations if you register for this one day workshop before June 10. Take a look inside the course materials from our current workshop...
Pierre Joris Interview (Canto Diurno #1, 2-MAY-2022)
It’s a pretty ambitious goal to write an epic poem in a day. Bernadette Mayer’s Midwinter Day, an epic about the daily routine written on Winter Solstice 1978, is like no other project that I know...
Full Earth Day Agenda
Cascadia Poetics Lab Board Member Jason Wirth and I are leading a clean-up of Chinook Beach Park on Friday, April 22 from 1-3pm. We will have some garbage bags and a couple of pickers, but feel free...
Hoa Nguyen Interview (A Thousand Times You Lose Your Treasure)
I had the good fortune to interview Hoa Nguyen on April 14, 2022 via Zoom about her book A Thousand Times You Lost Your Treasure. The video is embedded below. My post on the Cascadia Poetics Lab...
Haibun de la Serna Official Launch
Thanks to Koon Woon of Goldfish Press and Leopoldo Seguel of Poetry Bridge, the official launch of my new book Haibun de la Serna happens Wednesday, April 13 at C&P Coffee Company and online via...
Runes, Revision, Wyrd
It is such a satisfying feeling when I draw the rune Laguz during my daily morning divination. I draw a rune daily as it gives me feedback on the energies/archetypes I am swirling out on any given...
Making Peace (Journal of the Plague Years)
Journal of the Plague Years saw fit to publish my poem Making Peace, about the Russian invasion of Ukraine: https://www.journaloftheplagueyears.ink/blog/making-peace I love this publication and...
Greg Bem Reviews Haibun de la Serna
Huge thanks to Greg Bem who has authored a five star review of Haibun de la Serna. CINCO ESTRELLAS in the immortal words of jazz pianist Elisha Gullixson. Greg writes on his blog and on Goodreads:...
Poetry for Ukraine
I recently participated in a couple of readings dedicated to addressing the Russian war in Ukraine. One event I had a hand in organizing. I was honored to be asked to read for the other. March 15...
Poetics as Cosmology (Talk given to Cal State L.A., March 21, 2022)
We do what we know before we know what we do. Charles Olson,as quoted by Robert Creeley inpoets of the cities of new york and san francisco 1950-1965 (Dutton ’74). p. 62 This subject is near and...
Nature Talk Release Party and Reading
I'm delighted to participate in the celebration of a new book and the expansion of a literary community organized by Greg Bem. Carbonation Press of Spokane was founded by Greg in late 2023 and this...
Cascadia in Okanagan
I am delighted to participate in Cascadia: A Braided Land, at UBC Okanagan March 1 & 2. This event is the vision of Slava Bart, with assistance from Harold Rhenisch. Here is a description: I met...
Open Parenthesis (of Winter in America (Again
Greg Bem is the publisher of Carbonation Press and the new anthology Winter in America (Again: Poets Respond to 2024 Election. He got an email from someone asking him why the parenthesis before the...
The interview I conducted with Sam O’Hana, a Ph.D. student at CUNY, is immensely critical and immensely validating for the work we do at the Cascadia Poetics Lab. At its core, the discussion is about whether writing is for people of means, or if it can be people who have skill and something to say. It means the literary gatekeepers have failed us and have a role in perpetuating neoliberalism in North America which has paved the way for authoritarianism. The interview is available as a podcast here and as a YouTube video here. Below, I have pasted in the transcript and here is my introduction to Sam O’Hana and his topic.