Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
“Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.”– Kosho Itagaki, Soto Zen Priest
SICA-USA Poems for Peace
Andrew Hall and Adelia MacWilliam are two people helping me curate a series of online readings that were conceived of by SICA, the Subud International Cultural...
Galactic Travel in Rainier Beach
What a delight to see the careful unveiling of community in this neighborhood where Bhakti and I have lived for over 4 years. The neighborhood is Rainier Beach and we live across the street from a...
Haibun de la Serna World Tour
Now that Haibun de la Serna, my latest book of poems, is out, it is time to launch the HdlS WORLD TOUR to promote it. I am blessed to have a sympathetic publisher in Koon Woon of Goldfish Press and...
Haibun de la Serna Published
I am delighted to announce today that a book I finished ten years ago has just been published by Koon Woon's Goldfish Press. Haibun de la Serna is the book. It consists of 99 neo-barroco haibun all...
Haibun de la Serna: 99 Haibun
by Paul E Nelson June 2022 Review by Pablo Baler Paul Nelson’s Haibun moves with the spirit of Ramón Gómez de la Serna’s greguerías, one of the unclassifiable micro-genres Gómez invented in his...
Fred Wah on The Simple, Serial Form and MHT
It has been over a decade since I first began to try to get Fred Wah to sit down and have an interview about his (now) 60 years of work in poetry. When we did sit in front of our respective Zoom...
Wildlife of the Underworld (Plants & Poetry Journal)
I'm delighted to have a couple of FLEXIBLE MIND poems in the new book from Plants & Poetry Journal, Wildlife of the Underworld. Susan Landgraf! Cole Swenson! Jeffrey Beam! & others. I can't...
Ode to Bill Turner
I was very saddened to hear about the death of NW painter William Turner. He died at age 81 on Christmas Eve. I felt Bill was a genius painter and tremendously under-appreciated. Maybe that changes...
Some 2021 American Sentences & Other Poems
I made it to Clatskanie, Oregon, birthplace of Raymond Carver, to have a writing retreat in a cabin on an organic farm. Of course there would be a snow storm and a 90 minute delay on Hwy 30 getting...
Cascadia, Water, Compassion
Each day after Bhakti and I have our morning beverage (a matcha latté for me, coffee for her) I sit at this here Mac and journal about the previous day. Before...
Four Winter in America (Again readings
There are some benefits to having 8 editors of an anthology. It is 8 times the networking capacity. This is the case this week for the ongoing creative resistance to the current USAmerican...
Matt Trease The Outside
I've known Matt Trease since he moved to Seattle in 2013. He's from Tennessee and has spent time in Ohio, Milwaukee and Chicago, and left his academic track just short of his dissertation. We...
AWP Readings
I am delighted to participate in two readings at AWP which in L.A. this year. One is at the Asterism booth, #750, Thursday, March 27 at 11am. Asterism has picked up much of the slack of SPD's...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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