Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
Ode to Bill Turner
I was very saddened to hear about the death of NW painter William Turner. He died at age 81 on Christmas Eve. I felt Bill was a genius painter and tremendously under-appreciated. Maybe that changes...
Some 2021 American Sentences & Other Poems
I made it to Clatskanie, Oregon, birthplace of Raymond Carver, to have a writing retreat in a cabin on an organic farm. Of course there would be a snow storm and a 90 minute delay on Hwy 30 getting...
Cascadia, Water, Compassion
Each day after Bhakti and I have our morning beverage (a matcha latté for me, coffee for her) I sit at this here Mac and journal about the previous day. Before...
FLEXIBLE MIND THIS CLOUD IS A LIFE
I have been fortunate to facilitate online workshops since Fall 2020. It is one of the great personal developments of the pandemic restructuring that we're experiencing right now and, of course, if...
Michael McClure Archives Simon Fraser University
On Friday, November 12, 2021, Adelia MacWilliam and I visited the W.A.C. Bennett Special Collections Library at Simon Fraser University in Burnaby, B.C. to investigate the extensive Michael McClure...
RIP Pat Martino (Observer of environment, including guitar)
Thirteen months ago I started facilitating workshops again and I never knew how much joy and inspiration could come from engaging people at a deep level via Zoom poetry workshops. And before I get...
Beat Breath for EBSN
I am delighted to continue my association with the European Beat Studies Network again this Sunday, as part of their 2021 Zoom conference. I am also delighted to present on the topic of Beat Breath...
Seriality (A 2022 Workshop:
In this workshop we take the methods and the organismic stance toward poetics (& life) and continue to investigate how to deepen one’s own work and life through spontaneous writing, rituals,...
Notes for American Sentences Talk to Haiku Koma Kulshan
Thanks to C.J. Prince and John Green of Haiku Koma Kulshan, I was invited to give a talk about American Sentences on Saturday, October 9, 2021 via Zoom to their Haiku group. I was given some topics...
American Sentences Talk
The second edition of my book of 17 syllable poems, American Sentences, was published in time for my 60th birthday party on September 22, 2021. Saturday, I'll have a chance to talk about the form,...
Four Winter in America (Again readings
There are some benefits to having 8 editors of an anthology. It is 8 times the networking capacity. This is the case this week for the ongoing creative resistance to the current USAmerican...
Matt Trease The Outside
I've known Matt Trease since he moved to Seattle in 2013. He's from Tennessee and has spent time in Ohio, Milwaukee and Chicago, and left his academic track just short of his dissertation. We...
AWP Readings
I am delighted to participate in two readings at AWP which in L.A. this year. One is at the Asterism booth, #750, Thursday, March 27 at 11am. Asterism has picked up much of the slack of SPD's...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
Check out more of what the Lab does here, and listen to more current and archival podcasts on Spotify or on our website.
To get original poetry right in your mailbox this summer, check out the Poetry Postcard Fest.