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PAUL E NELSON

Cascadia Poetry Festival 8 Paul E Nelson at the microphone

Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski

Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.– Kosho Itagaki, Soto Zen Priest
Paul @ 60 (You Are Invited)

Paul @ 60 (You Are Invited)

It was 30 years ago when I was rather new at creating public affairs radio interviews, at age 29, when I had Dr. Bill Mitchell on the program discussing How To Live to 120: Bill made it to 60 and I...

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Cascadian Zen

Cascadian Zen

What is the nature of the bioregion known as Cascadia? How is this insight expressed by the people who live, work, practice, and play here? Is there a connection between Zen practice, broadly...

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Samthology: A Tribute to Sam Hamill

Samthology: A Tribute to Sam Hamill

by Paul E Nelson (Editor), Cate Gable (Editor), Lyn Coffin (Editor) A tribute to Sam Hamill in verse, essays and an exclusive interview, edited by Paul E Nelson, Ian Boyden and Cate Gable. Poems in...

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Make it True Meets Medusario

Make it True Meets Medusario

Edited by Jose Kozer, Paul E Nelson, and Thomas Walton Make It True meets Medusario, a bilingual poetry anthology, brings together poets from divergent languages, cultures, and aesthetics to create...

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56 Days of August

56 Days of August

by Ina Roy-Faderman (Author), Paul E. Nelson (Editor), J.I. Kleinberg (Editor) Postcards are electric. I get excited just turning a rack of postcards around at the drugstore. There was a time before...

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American Sentences

American Sentences

By Paul E Nelson This is a collection of American Sentences...A collection of 17-syllable sentences-the North American version of haiku, a form created by Allen Ginsberg-from a poet who has written...

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Make it True: Poetry from Cascadia

Make it True: Poetry from Cascadia

By Paul E. Nelson A collection from poets writing from the bioregion lying west of the continental divide, spanning from Cape Mendocino in the south to Mt. Logan in the north. An attempt to deepen...

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Cascadia in Okanagan

Cascadia in Okanagan

I am delighted to participate in Cascadia: A Braided Land, at UBC Okanagan March 1 & 2. This event is the vision of Slava Bart, with assistance from Harold Rhenisch. Here is a description: I met...

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Deborah Poe

How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems?  Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.

Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.

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Deborah Poe on "flagging the apocalypse pageantry"

by Paul E Nelson