Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
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50 Days til Postcards
I am starting to get emails about the August Poetry Postcard Fest. Questions like: 1) Is the fest on this year? (Yes). 2) Can you sign me up now? (No). 3) What are the main changes this year? (This...
Wildcrafting Seward Park
You think of the term "gardener" and something mild is evoked, perhaps an older person, but use the term "wildcrafter" and something subversive is suggested, perhaps with links to paganism. Yet...
Cascadia Dialog
The discussion I'd hoped for after the first and second Cascadia Poetry Festivals, is beginning to manifest in the wake of the 3rd iteration of the fest and the first in Canada. (Nanaimo, B.C. of...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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