Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
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Loose in Cascadia
I have left a couple of browser tabs open on my mac for a couple of weeks now because of their relevance to my ongoing cultural investigation of Cascadia. Both have to do with a study by two...
American Sentences for Pop
I read Nine Sonnets for Pop and a few of these 17 syllable poems at my Dad's grave today as his remains were interred at the family burial plot in Elmhurst, Illinois. My siblings shared some stories...
Pop at Aunt Barbara’s Coffin
My Aunt Barbara Rose O'Connell died on Super Bowl Sunday, 2007, and there were ceremonies in Glendora, California, where she lived most of her life and outside of Chicago, where she was born and...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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