Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
“Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.”– Kosho Itagaki, Soto Zen Priest
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Allergic to Cascadia Cats
You may have seen that the lineup for the 2nd Cascadia Poetry Festival has been released. I am pretty excited about it and we need 14 more sponsors at the $500 level, or 7 more at the $1,000 level,...
SPLAB Turns 20
Though the official date was December 13, 2013 that the organization I created turned 20, we celebrate Saturday at Spring Street Center. Details below. It is hard to believe how quickly 20 years can...
Jose Kozer Interview (N.13.13 in L.A., Part 2)
Today I'm posting the rest of the audio of an interview with legendary Cuban-American poet José Kozer, conducted by Cal State U at L.A. Ph.D. student Mike Sonksen. (Hear the first four parts of the...
The interview I conducted with Sam O’Hana, a Ph.D. student at CUNY, is immensely critical and immensely validating for the work we do at the Cascadia Poetics Lab. At its core, the discussion is about whether writing is for people of means, or if it can be people who have skill and something to say. It means the literary gatekeepers have failed us and have a role in perpetuating neoliberalism in North America which has paved the way for authoritarianism. The interview is available as a podcast here and as a YouTube video here. Below, I have pasted in the transcript and here is my introduction to Sam O’Hana and his topic.
