Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
“Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.”– Kosho Itagaki, Soto Zen Priest
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Walking Victoria
I think it was attending the Victoria School of Writing (RIP) Summer School session for a week in July 2005 that made me aware of the Planet Earth Poetry series in Victoria, BC. That was the week I...
Haibun de la Serna
Finishing the 83rd poem in a series of 99 haibun on Monday morning, Meredith had overheard me recording the poem and informed me I was "almost finished" with the series I have been working on for...
Craft Talk Organic Poetry, 4.11.13 6P Ballard Library
I remember asking Michael McClure on the phone what it was like to start writing in Projective Verse. I think I had realized by that time I was writing in that manner, in which extreme concentration...
The interview I conducted with Sam O’Hana, a Ph.D. student at CUNY, is immensely critical and immensely validating for the work we do at the Cascadia Poetics Lab. At its core, the discussion is about whether writing is for people of means, or if it can be people who have skill and something to say. It means the literary gatekeepers have failed us and have a role in perpetuating neoliberalism in North America which has paved the way for authoritarianism. The interview is available as a podcast here and as a YouTube video here. Below, I have pasted in the transcript and here is my introduction to Sam O’Hana and his topic.
