Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
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Force Field: 77 Women BC Poets
Soon after I made plans to go to Victoria, BC, for the launch of the Poems from Planet Earth anthology (see this post), I found out the launch of another anthology was happening the next day in...
Poems from Planet Earth
As mentioned in my last post (Walking Victoria) in addition to some lovely photo opportunities and the best matcha ever, I attended the launch for a new anthology of poems made up of past readers at...
Walking Victoria
I think it was attending the Victoria School of Writing (RIP) Summer School session for a week in July 2005 that made me aware of the Planet Earth Poetry series in Victoria, BC. That was the week I...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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