Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
“Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.”– Kosho Itagaki, Soto Zen Priest
DaySong Miracle (Past 62)
DaySong Miracle (Past 62) by Paul E. Nelson Published April 2024Greg Bem, Carbonation Press: This is third of four “DaySongs” Seattle poet Paul E. Nelson has completed. The ritual was designed for...
Cascadian Prophets: Interviews 1999-2023
Cascadian Prophets: Interviews 1999-2023 By Paul E NelsonEdited by Sharon Thesen Cascadian Prophets: Interviews 1999-2023 is the second collection of transcribed interviews taken from the 30 year...
Bradner Gardens Concert, Aug 17
I'm delighted to read poems again with the backing of the Jim O'Halloran Quartet, Saturday, August 17, 2024, 7pm at Bradner Gardens. The gardens are at 1730 Bradner Place South in the Mount Baker...
Social Acceleration and the Postcard Antidote
I was fortunate to be invited to teach spontaneous poetry methods at Holden Village, which is a spiritual retreat in the North Cascades. It is a former mining town and is a 45 minute drive from the...
Another DaySong (1980)
Another DaySong (1980) By Paul E Nelson Alongside The Day Song of Casa del Colibiri, Another Day Song (1980) is a fantastic meditation throughout the day via insight and poetry. Nelson's works...
Postcards from Here, Postcards from Mapes Creek
I had no idea when Bhakti Watts and I moved to Rainier Beach in 2017 how much we would love this neighborhood, how much it would give back to us and shape our lives. And yes, we've each survived...
A Journal of the Plague Years
I like to think of it as projective journalism. Maybe it's becoming a lost art to write and publish history with deep perception hours after events happen, but Susan Zakin and her crew at Journal of...
DaySong Miracle (Past 62) Profiled on SICA-USA
I was delighted to see the SICA-USA blog post written about my new book DaySong Miracle (Past 62). I knew it was coming, but to read the way my Subud brother Jim O'Halloran handled the information...
Memory’s Vault (book)
I had the good fortune last Sunday (May 19) to be invited to participate in a reading at Memory's Vault to celebrate the publication of the Empty Bowl book Memory's Vault: The Poetic Heart of Fort...
Larry Lawrence at Jack Straw
Writing a blurb for a friend or associate's book is a difficult task. One has to be compelling, has to have some credibility regarding knowledge of the book's content and has to have a call to act,...
Aug 9 Zoom Poetry Workshop
Along with three of the editors of Winter in America (Again, I'll be facilitating a workshop for the Arizona State Poetry Society on August 9 at 12N MST and PDT. (Confusing, I know. 12PDT.) I am...
Short ASPS Workshop Video
Meet Mayoral Candidate Katie Wilson
On Wednesday, July 23 at 6:30 Seattle Mayoral candidate Katie Wilson will discuss quality of life and culture in Rainier Beach with an emphasis on efforts to create affordable housing for artists...
The interview I conducted with Sam O’Hana, a Ph.D. student at CUNY, is immensely critical and immensely validating for the work we do at the Cascadia Poetics Lab. At its core, the discussion is about whether writing is for people of means, or if it can be people who have skill and something to say. It means the literary gatekeepers have failed us and have a role in perpetuating neoliberalism in North America which has paved the way for authoritarianism. The interview is available as a podcast here and as a YouTube video here. Below, I have pasted in the transcript and here is my introduction to Sam O’Hana and his topic.