Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
“Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.”– Kosho Itagaki, Soto Zen Priest
465. T. Clear, Seattle, WA – Late August Rain Vigil
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464. Jami Proctor-Xu, San Ramon, CA – Baby Gate
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463. Linda Crosfield, Castlegar, BC – Hummingbird Plot.png
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462. Kenneth Greg Watson, Auburn, WA – Rapturous Vocalization
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461. Arthur Tulee, Toppenish, WA – Losing Time
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460. Jovan Mrvos, Decatur, IN – Church of Coltrane
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459b. Kristen Cleage, Atlanta, GA – Full Sunflower Moon
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459. Kara Synhorst, Sacramento, CA – Cost of Being
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458. Linda Lee Harper, Augusta, GA – How Many Habibs
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457. Amy Miller – Ashland, OR – A Taste of This Side
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Death of an Indian (Birth of a Shaker)
I was delighted to read as part of the Margin Shift series on Thursday, June 18, 2020. Earlier in the day I thought I would rehearse a long poem that is a huge part of the newly expanded edition of...
Margin Shift
I'm delighted to be doing another Zoom-Because-of-Shelter-in-Place reading, this time for Margin Shift, Thursday June 18 at 7pm. As its name implies, Margin Shift is the most diverse reading series...
The Poetry Foundation
Dispatches from the Poetry Wars was a great little, shit-stirring website that reminded us that poetry wars are ongoing and critical, if they lead to dialog. Community happens only when there is...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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