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PAUL E NELSON

Cascadia Poetry Festival 8 Paul E Nelson at the microphone

Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski

Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.– Kosho Itagaki, Soto Zen Priest
Brenda-ized City Sonnet

Brenda-ized City Sonnet

For three full seasons (October-June, 2020-2023) I have conducted online workshops designed to allow poets who have participated in the Poetry Postcard Fest to go a little deeper into the process of...

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Postcard Poem as Ofrenda

Postcard Poem as Ofrenda

After I suggested this title as the June 15, 2023, talk to be given at the Altar/Alter project, I realized that what I meant was more like milagro or folk charm, though one could make the case that...

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Postcards on the Altar

Postcards on the Altar

I am delighted to be part of an ambitious event being produced by Greg Bem, Eric Acosta, Amy Hirayama, and Denny Stern. Three of the four are postcard poets and all are energetic members of the...

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732. Varney’s Nada

732. Varney’s Nada

I have a practice of reading my journal entry from the same day of the previous year and love when poems I'd forgotten I'd written show up and still have some potency. Sam always warned me not to be...

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Heavy Lifting Art Book

Heavy Lifting Art Book

I am delighted to present an interview about the art book Heavy Lifting, a collaboration by Felicia Rice of Moving Parts Press and the poet Theresa Whitehill. Recorded Friday, March 25, 2023, via...

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AWP Off-Site Events

AWP Off-Site Events

The AWP Conference is in Seattle again (March 8-11) and 10,000 writers are expected to be in Seattle for the proceedings. (Come say hello to the Cascadia Poetics Lab at the bookfair table T1427.) We...

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I Sing the Salmon Home

I Sing the Salmon Home

I'm delighted to have work in the new anthology curated by the outgoing Washington Poet Laureate Rena Priest. A postcard poem from 2022 was selected and I got this note from the publisher, Empty...

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Resistance as Writing

Resistance as Writing

How can one write poetry about current political events without resorting to invective or rhetoric? Why is this important? Poetry is a use of language that is capable of a kind of depth of being...

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Eagle Harbor Book Company Canceled

Dear Faithful Blog Reader! The Winter in America (Again reading scheduled for tonight, Friday, July 11, 2025, has been canceled. The tour's last stop is tomorrow, Saturday, July 12, at 2pm at the...

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Sam O'Hana April 16, 2025

The interview I conducted with Sam O’Hana, a Ph.D. student at CUNY, is immensely critical and immensely validating for the work we do at the Cascadia Poetics Lab. At its core, the discussion is about whether writing is for people of means, or if it can be people who have skill and something to say. It means the literary gatekeepers have failed us and have a role in perpetuating neoliberalism in North America which has paved the way for authoritarianism. The interview is available as a podcast here and as a YouTube video here. Below, I have pasted in the transcript and here is my introduction to Sam O’Hana and his topic.

Sam O’Hana on Opening Poetry to the Working Class

by Paul E Nelson