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PAUL E NELSON

Cascadia Poetry Festival 8 Paul E Nelson at the microphone

Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski

Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.– Kosho Itagaki, Soto Zen Priest
Negative Capability in Painting

Negative Capability in Painting

I am delighted to have been accorded the pleasure of moderating a panel of painters on the subject of Negative Capability. Details:Gallery 110 will be hosting a panel discussion featuring Carol...

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For Mary Norbert Körte

For Mary Norbert Körte

I have finished creating podcasts with my two interviews conducted in October 2019 with the former Nun and poet Mary Norbert Körte. She died on November 14 at age 88 at her home near Willits,...

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A Winter Solstice Reading

A Winter Solstice Reading

Over the past ten+ years my friend the poet and librarian Greg Bem has created some of the most inventive poetry gatherings I have ever experienced. One that involved divination and chance...

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Open Mic/Workshop

Open Mic/Workshop

Please join me for a free Poetics as Cosmology workshop/open mic where current and former participants will talk about something they gleaned from Poetics as Cosmology and maybe even read something...

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January Workshop Registration Open

January Workshop Registration Open

A five week workshop which now has most of the same participants going into year three is over. I received a wonderful testimonial from Ann Graham Walker: I think you can take a lot of credit for...

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Meet Mayoral Candidate Katie Wilson

Meet Mayoral Candidate Katie Wilson

On Wednesday, July 23 at 6:30 Seattle Mayoral candidate Katie Wilson will discuss quality of life and culture in Rainier Beach with an emphasis on efforts to create affordable housing for artists...

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Resistance as Writing

Resistance as Writing

How can one write poetry about current political events without resorting to invective or rhetoric? Why is this important? Poetry is a use of language that is capable of a kind of depth of being...

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Deborah Poe

How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems?  Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.

Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.

Check out more of what the Lab does here, and listen to more current and archival podcasts on Spotify or on our website.

To get original poetry right in your mailbox this summer, check out the Poetry Postcard Fest.

Deborah Poe on "flagging the apocalypse pageantry"

by Paul E Nelson