Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
“Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.”– Kosho Itagaki, Soto Zen Priest
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Charles Potts Interview
John Oliver Simon, former director of California Poets in the Schools and recipient of an NEA grant for translation, called Charles Potts “…the greatest poet born in Idaho since Ezra Pound…and one...
Profile of an Anarcho-Leftist, Poet/Librarian, Gentrifier, Greg Bem
When you think of the kind of person gentrifying the Rainier Valley, a man who could be described as an Anarcho-Leftist, Poet/Librarian might not be tops on your list. Greg Bem is a Rainier Valley...
2017 August POetry POstcard Fest is Coming
The call for the eleventh year of the August Poetry Postcard Fest goes out July 4, 2017, and registration opens then. Like last year, as soon as 32 participating poets get signed up, the list will...
The interview I conducted with Sam O’Hana, a Ph.D. student at CUNY, is immensely critical and immensely validating for the work we do at the Cascadia Poetics Lab. At its core, the discussion is about whether writing is for people of means, or if it can be people who have skill and something to say. It means the literary gatekeepers have failed us and have a role in perpetuating neoliberalism in North America which has paved the way for authoritarianism. The interview is available as a podcast here and as a YouTube video here. Below, I have pasted in the transcript and here is my introduction to Sam O’Hana and his topic.