Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
9.28.2022 @ Underbelly
Once I survived the promotional photo shoot for the Underbelly reading, I was ready for the event. I'll be part of a reading in Pioneer Square with: underbelly every last Wednesday ...
Nuchatlitz, Artful
Bhakti and I were delighted to have been offered a chance to visit Nuchatlitz, BC, thanks to Adelia MacWilliam and Shannon Bailey. It required a long drive to Tahsis, BC, with a ferry just to get...
Postcards, Poetics as Cosmology, Embodied
The 2022 Postcard season is drawing to an end and I am delighted we have 17 complete groups this year and a tie for our best participation ever, 544. I have completed writing and mailing my 31 cards...
Reading in Courtenay BC
Thanks to the efforts of Ed Varney, I'll give a short reading at ARTFUL Gallery in Courtenay, BC on Sunday, August 28th at 7pm. (526C Cumberland Road.) There will be open mic and there is a...
Claudia Castro Luna Interview (Cipota Under The Moon)
I had the good fortune to interview a former Washington State Poet Laureate, Claudia Castro Luna via Zoom on June 17, 2022. We talked about her new book Cipota Under the Moon, her exodus from El...
Poetics as Cosmology Workshops Fall 2022
Poetics as Cosmology (Intro to Spontaneous Composition) A five week online (Zoom) workshop for people who have had a little experience in spontaneous poetry composition and want more. Join Cascadia...
Margin Shift June 16, 2022!
(This post has been updated to include Tay Stafford, who has just been added to the bill. There WILL be streaming on Facebook for those who can't make it down to Belltown.) I am delighted to read at...
Haiku NW Talk about Poetry Postcard Fest
It has been eleven years since I was a presenter at Haiku North America, on the campus of Fort Worden in 2011. I spoke on the subject of American Sentences, those 17 syllable poems that I have been...
Baler Reviews Haibun de la Serna
I can't begin to tell you how thrilled I am with Pablo Baler's review of my latest book Haibun de la Serna in the new edition of Exacting Clam. He was the person who introduced me to the work of...
Interview on the Found Poems of J.I. Kleinberg
We caught up on May 16, 2022, with longtime Poetry Postcard Fest participant Judy J.I. Kleinberg about her exhibit at the Peter Miller Books in Seattle's Pioneer Square neighborhood. J.I. Kleinberg...
Resistance as Writing
How can one write poetry about current political events without resorting to invective or rhetoric? Why is this important? Poetry is a use of language that is capable of a kind of depth of being...
Eagle Harbor Book Company Canceled
Dear Faithful Blog Reader! The Winter in America (Again reading scheduled for tonight, Friday, July 11, 2025, has been canceled. The tour's last stop is tomorrow, Saturday, July 12, at 2pm at the...
Poetry Postcards and Zen
An amazing testimonial for the Poetry Postcard Fest though it was not intended to serve that purpose. It is from Kosho Itagaki of Temple Eishoji (where I sit three days a week.) He writes: 🚤...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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