Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
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Cumberland, Desolation Sound, BC
What a way to end 2016 and bring in 2017, but in a heated outdoor bathtub on the water! Bhakti and I are guests of Gary Hamilton and Adelia (Nicola) MacWilliam, as we're working with Adelia to...
Bury 2016
2016 is a good year to bury things. How many years get their own self-deprecating meme? And the notables who died this year is impressive, if you're impressed by death: Muhammad Ali, David Bowie,...
Ruth Lepson/Miriam Nichols on Charles Olson
Wonderful to see the review of Letters for Olson by Brooks Johnson in Hyperallergenic and just to have this book in the world. The headline of the article states well this book's theme: In Letters...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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