Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
Reading w/ Jim O’Halloran Trio
It was a remarkable experience reading my poems with the accompaniment of the Jim O'Halloran Trio on February 25, 2022 at Kezira Café. Jim's a wonderful musician, bandleader and arranger. He...
Poems for Peace
Under the auspices of my position as Chair of my spiritual community's National Cultural Wing, SICA-USA, for 15 months (& two years before that as Secretary) I have been involved in creating...
West Seattle Workshop (15-APR-2022)
Thanks to the efforts of my publisher Koon Woon and Goldfish Press, I have been awarded a grant from Poets & Writers to facilitate a poetry workshop Friday, April 15 from 1- 3 pm at the Alaska...
SICA-USA Poems for Peace
Andrew Hall and Adelia MacWilliam are two people helping me curate a series of online readings that were conceived of by SICA, the Subud International Cultural...
Galactic Travel in Rainier Beach
What a delight to see the careful unveiling of community in this neighborhood where Bhakti and I have lived for over 4 years. The neighborhood is Rainier Beach and we live across the street from a...
Haibun de la Serna World Tour
Now that Haibun de la Serna, my latest book of poems, is out, it is time to launch the HdlS WORLD TOUR to promote it. I am blessed to have a sympathetic publisher in Koon Woon of Goldfish Press and...
Haibun de la Serna Published
I am delighted to announce today that a book I finished ten years ago has just been published by Koon Woon's Goldfish Press. Haibun de la Serna is the book. It consists of 99 neo-barroco haibun all...
Haibun de la Serna: 99 Haibun
by Paul E Nelson June 2022 Review by Pablo Baler Paul Nelson’s Haibun moves with the spirit of Ramón Gómez de la Serna’s greguerías, one of the unclassifiable micro-genres Gómez invented in his...
Fred Wah on The Simple, Serial Form and MHT
It has been over a decade since I first began to try to get Fred Wah to sit down and have an interview about his (now) 60 years of work in poetry. When we did sit in front of our respective Zoom...
Wildlife of the Underworld (Plants & Poetry Journal)
I'm delighted to have a couple of FLEXIBLE MIND poems in the new book from Plants & Poetry Journal, Wildlife of the Underworld. Susan Landgraf! Cole Swenson! Jeffrey Beam! & others. I can't...
Postcards from Mapes Creek June 8 4-7pm
I hope you'll consider coming to Rainier Beach this Sunday from 4-7pm to celebrate the arts of poetry postcards and our little urban stream that we hope someday will be totally daylighted. What...
Sam O’Hana on Opening Poetry to the Working Class
The interview I conducted with Sam O'Hana, a Ph.D. student at CUNY, is immensely critical and immensely validating for the work we do at the Cascadia Poetics Lab. At its core, the discussion is...
Poetry at Cascadia BioFi
Cascadia BioFi is happening Saturday May 17, and the Cascadia Poetics Lab will be presenting poetry with no admission charge at 7pm. The conference: "will bring together leaders at the edges of...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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