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PAUL E NELSON

Cascadia Poetry Festival 8 Paul E Nelson at the microphone

Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski

Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
100 Thousand Poets for Change

100 Thousand Poets for Change

I'm delighted to be part of an event which has been happening for many years, organized and conceived of by Michael Rothenberg. 100 Thousand Poets for Change is the event, one for which I helped...

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1st Podcast Robert Lashley

1st Podcast Robert Lashley

I have been asked many times: "Do you have a podcast?" Now, I can say "yes." Via the non-profit I founded in 1993, now known as the Cascadia Poetics LAB, we have launched Cascadian Prophets....

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Paul @ 60 (You Are Invited)

Paul @ 60 (You Are Invited)

It was 30 years ago when I was rather new at creating public affairs radio interviews, at age 29, when I had Dr. Bill Mitchell on the program discussing How To Live to 120: Bill made it to 60 and I...

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Cascadian Zen

Cascadian Zen

What is the nature of the bioregion known as Cascadia? How is this insight expressed by the people who live, work, practice, and play here? Is there a connection between Zen practice, broadly...

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Samthology: A Tribute to Sam Hamill

Samthology: A Tribute to Sam Hamill

by Paul E Nelson (Editor), Cate Gable (Editor), Lyn Coffin (Editor) A tribute to Sam Hamill in verse, essays and an exclusive interview, edited by Paul E Nelson, Ian Boyden and Cate Gable. Poems in...

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Make it True Meets Medusario

Make it True Meets Medusario

Edited by Jose Kozer, Paul E Nelson, and Thomas Walton Make It True meets Medusario, a bilingual poetry anthology, brings together poets from divergent languages, cultures, and aesthetics to create...

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56 Days of August

56 Days of August

by Ina Roy-Faderman (Author), Paul E. Nelson (Editor), J.I. Kleinberg (Editor) Postcards are electric. I get excited just turning a rack of postcards around at the drugstore. There was a time before...

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Stephan Torre

Stephan Torre

One of the great joys in participating in the recent Cascadia: A Braided Land event at UBCO was meeting 84 year old Northern Cascadia poet Stephan Torre. With roots in Big Sur back in the days...

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Deborah Poe

How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems?  Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.

Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.

Check out more of what the Lab does here, and listen to more current and archival podcasts on Spotify or on our website.

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Deborah Poe on "flagging the apocalypse pageantry"

by Paul E Nelson