Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
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518. Stankbeard
More Salish art in this latest 2015 August Poetry Postcard and a reference to yet another plant species identified this summer. It really DOES smell like peanut butter, but beards are entirely...
Thomas Walton’s Art Party
The man behind the award-winning Pageboy Magazine, Thomas Walton, is at it again. He sent me THIS today: Greetings, Please join PageBoy Magazine this Sunday (Dec 13) for the inaugural episode of Art...
American Sentences/Angeline Housewarming
I have updated this post with a video Greg Bem captured of the event promoted below. Thanks Greg: Saturday, December 5 from 7:00pm - 9:00pm, come celebrate the release of the book American...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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