Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
“Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.”– Kosho Itagaki, Soto Zen Priest
No Results Found
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
510. Divine Comedian
This poem was inspired by something said in a talk given by Muhammad Subuh Sumohadiwidjojo, the man who founded the worldwide Subud spiritual community. I have been a member since 2004. The notion...
509. Dream Anagrams
This postcard poem went overseas, so good to give it two months before posting here. I think in future years I may send to the folks overseas first so that there is time for them to receive the...
Bowering/Stanley on Cascadia
I was pleasantly surprised to be tagged on Facebook in a post that promoted a podcast by New Star Books of Vancouver. The podcast featured two elders of the Cascadia poetry community, Vancouver...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
Check out more of what the Lab does here, and listen to more current and archival podcasts on Spotify or on our website.
To get original poetry right in your mailbox this summer, check out the Poetry Postcard Fest.
