Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
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Duwamish Revealed
Ever since Greg Bem arrived in Seattle from Philadelphia he has been a literary dynamo, presenting and participating in events that are rich in imagination, well-conceived and have added depth to...
Cascadia to Taos
OK, I'm back. It was 4,167 miles in Que (my Honda) to Portland, Boise (via John Day River watershed in Oregon), to Moab, Grand Junction, CO, Denver, Taos, Quemado, NM, Phelan, CA, Lancaster, CA,...
Make It True Readings (dan raphael interview)
The effort to get the word out about Make It True: Poetry from Cascadia begins in Portland, with a reading organized by longtime Portland poet dan raphael, who wrote: A reading to celebrate the...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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