Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
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Pig War Poetry & Pictures
Although the gathered group was small, they were feisty enough to take on the fierce winds that greeted our Guided Poetry Walk at the American Camp on San Juan Island last Saturday (Apr 11, 2015)....
ATJ 53-56 (Death of the Imagination)
I get a kick out of certain Facebook threads and, yes, probably spend too much time there. You can argue with an idiot, but even if you win, you're only a little better than an idiot and I guess I...
Footsteps – Call for Poems
Doug Johnson of Cave Moon Press has invited me to edit a book that will benefit homeless veterans. The call is below and a pdf attached so you can spread the news far and wide. This is a worthwhile...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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