Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
“Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.”– Kosho Itagaki, Soto Zen Priest
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After The Japanese 49-52
The last three of the poems in this series written in Marblemount, WA, seem so distant given the contrast between last year's winter snow and this year's winter-of-no-winter. Also a year ago the AWP...
Seattle (City of No Lit Crit)
If you are involved at all in the Seattle writing community, you have no doubt heard by now about the op-ed former Hugo House Writer-in-Residence and novelist Ryan Boudinot wrote for the local...
Winter of No Winter & Seattle’s Water (Hillman City Haibun 10)
It's over now, but Winter 2014/2015 in Seattle was not much of a winter. Many people around here were planting their gardens over a month ago and I suspect that was very wise. Many plants have been...
The interview I conducted with Sam O’Hana, a Ph.D. student at CUNY, is immensely critical and immensely validating for the work we do at the Cascadia Poetics Lab. At its core, the discussion is about whether writing is for people of means, or if it can be people who have skill and something to say. It means the literary gatekeepers have failed us and have a role in perpetuating neoliberalism in North America which has paved the way for authoritarianism. The interview is available as a podcast here and as a YouTube video here. Below, I have pasted in the transcript and here is my introduction to Sam O’Hana and his topic.