Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
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After The Japanese 9-12
When one writes poetry from the practice of outside, you can go back and look at poems 10 months old and marvel at the consciousness there because in a way, it's not you. As drummer Hamid Drake told...
R.I.P. Ralph Maud (1928-2014)
On December 11, 2014, Cascadia lost one of its most important scholars when Ralph Maud died a couple of weeks short of his 86th birthday. He was three days older than my Dad who also died this year,...
Cuba Libre
I had just dropped off my daughter Ella Roque at her Spanish immersion pre-school and parked in front of my favorite juice bar when the top of the hour radio headlines broadcast that President Obama...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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