Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
“Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.”– Kosho Itagaki, Soto Zen Priest
Tiramisutra
SPLAB 20 Year Bioregional Cultural Investigation
It has been the core of SPLAB's work since 2012 to engage in a bioregional cultural investigation of Cascadia. We owe a huge debt to David McCloskey's groundbreaking work, his evocative maps and...
Blue Rivers Writers Gathering
I once attend the the Blue River Writers Gathering, a biannual gathering at the H.J. Andrews Experimental Forest whose purpose, according to their website, is: to take counsel from each other and...
Some Notes on the Minuses
I was having a discussion with an elder poet about a poetry experience that I had recently which left me feeling outside. The funny thing is that's where I want to be. I can't do anything but...
Song Cousins
My regular open mic (sorry Peter, but "mic" is short for microphone and "Mike" is short for Michael) EasySpeak Seattle has been on hiatus since February AND WE BOOKED SO MANY COOL FEATURED POETS and...
Benefit Reading for the Community of Writers at Sq— Valley
I am delighted this week to participate in the Community of Writers at Sq--- (virtual) Valley. Virtual because of the ongoing (& well-founded) concern regarding the novel Coronavirus. There are...
Death of an Indian (Birth of a Shaker)
I was delighted to read as part of the Margin Shift series on Thursday, June 18, 2020. Earlier in the day I thought I would rehearse a long poem that is a huge part of the newly expanded edition of...
Margin Shift
I'm delighted to be doing another Zoom-Because-of-Shelter-in-Place reading, this time for Margin Shift, Thursday June 18 at 7pm. As its name implies, Margin Shift is the most diverse reading series...
The Poetry Foundation
Dispatches from the Poetry Wars was a great little, shit-stirring website that reminded us that poetry wars are ongoing and critical, if they lead to dialog. Community happens only when there is...
The Undercommons Remembers Michael McClure
The Undercommons is a literary salon that was founded a few months ago, happened in person once a month a few times and has moved to Zoom for the time-being. We've studied Denise Levertov and The...
Red Pine Documentary
The last time we reported on Bill Porter (aka: Red Pine) we had traveled to his Port Townsend home for an interview. See: https://paulenelson.com/2019/10/14/red-pine-bill-porter-interview/ Now he's...
Poetics as Cosmology at Holden Village
Thanks to poetry hermano Raul Sanchez, I'll be facilitating my Poetics as Cosmology this summer in the North Cascades and you are welcome to hang out. The place is Holden Village. "Over the course...
Tessa Hulls Interview (Feeding Ghosts)
Tessa Hulls and I met when she donated a poster for the 2013 edition of the Allen Ginsberg Open Mic Poetry marathon. On February 20, 2024 I caught up with her on Zoom to discuss her first book, a...
The interview I conducted with Sam O’Hana, a Ph.D. student at CUNY, is immensely critical and immensely validating for the work we do at the Cascadia Poetics Lab. At its core, the discussion is about whether writing is for people of means, or if it can be people who have skill and something to say. It means the literary gatekeepers have failed us and have a role in perpetuating neoliberalism in North America which has paved the way for authoritarianism. The interview is available as a podcast here and as a YouTube video here. Below, I have pasted in the transcript and here is my introduction to Sam O’Hana and his topic.