Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
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Uncascadian
It was a long day, but one filled with vision and inspiration last Saturday (Dec 6, 2014) as I was part of a Board Retreat for CascadiaNow! I agreed to be Board President when asked by founder...
100 Poems After the Japanese
Having finished back in May a series of poems inspired by the classic Japanese anthology, I come to it now after letting the poems sit for a while, and re-read them in the spirit of seeing how my...
St. Paul Seattle N.30.14
It is a testament to the good of social media that an event like Seattle/St. Paul, which happened last night in St. Paul, Minnesota, with a poet I'd never met before, Mark Fleury, could happen. My...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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