Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
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American Sentences June-Oct
The latest harvest of 17 syllable poems from my daily discipline. See more about the form at www.AmericanSentences.com and thanks for reading. Comments welcome. 6.26.14 - Driving 34 a cherry pit’s...
491. Uncommon Speech
This 2014 August Poetry postcard was written in Puebla, Mexico, while I was there to attend the 14th Subud World Congress. 491. Uncommon Speech is one of my favorite postcard poems from 2014. It...
Review of PN & DB’s Existential Trio
I met Dick Metcalf last night at Rhythm & Rye in Olympia, WA, before the gig I did with Dan Blunck's Existential Trio, featuring Steve Bentley and Ariel Calabria. He wrote a kind review that you...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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