Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
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Un Poema para Frida Kahlo
I am experiencing my first Subud World Congress here in Puebla, Mexico, and it is stunning and miraculous. The intensity of the collected intention of 2,000 people who share an obscure (but...
Postcards & Other Spontaneous Methods
Now that the 2014 August Poetry Postcard Fest is up & running, I wanted to add a note for those new to the fest and offer a couple of possibilities to help shape a spontaneous poem and take some...
Signup Done for 2014 August Poetry Postcard Fest
The signup is now complete for the 2014 August Poetry Postcard Fest. We have 423 participants & they come from: Alabama, Alberta, Arizona, Australia, British Columbia, California,...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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