Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
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Happy 71st Sam Hamill
I wrote a more extensive birthday post for Sam Hamill's 70th last year (see this) and this year I took a page (or three) out of the Book of Rexroth for Sam. You can see more of my engagements with...
USAmerica (After Allen Ginsberg)
This poem was read at the 2nd Cascadia Poetry Festival, at the After Party, May 3, 2014, at Spring Street Center and based on the Allen Ginsberg poem America, with a George Bowering twist.
Cascadia 2 Starts Today
So the Cascadia Poetry Fest articles and blog posts are now popping, see Paul Constant in the Stranger with an article on bioregional poetry with this quote: It's important that poetry is embracing...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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