Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
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When I’m 124: Transcending Victim Consciousness
There's an interesting op-ed in the New York Times posted yesterday (Dec 24, 2013) about how some of the folks who brought you Paypal and Google are now focusing their vision and efforts on...
Seasonal American Sentences
The Rad Santa reading last night at Lottie's Lounge was a huge success. Graham Isaac hosted and invited me along with three other writers, including Jocelyn McDonald, Chris Gusta and Ra'anan David...
Jose Kozer Interview (L.A. N.13.13)
While I am not the guy who got the chance to interview José Kozer recently during his visit to Southern California, I was present as he responded to the questions of Cal State U at L.A. Ph.D....
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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