Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
467. Linda Clifton, Seattle, WA – Expanding the Substance of Experience
(click here for audio)
92. Galactic Circuit (for Will Alexander)
Writing Projects
Am preparing for my first featured reading in a while, Tuesday night, October 1 at 7pm at the Duvall Visitors Center, 15619 Main Street, Duvall, WA. (See this site.) I am to read for 25-30 minutes...
466. Joe Chiveney, Olympia, WA – The Empty River
(click here for audio)
465. T. Clear, Seattle, WA – Late August Rain Vigil
(click here for audio)
464. Jami Proctor-Xu, San Ramon, CA – Baby Gate
(Click here for audio)
463. Linda Crosfield, Castlegar, BC – Hummingbird Plot.png
(Click here for audio)
462. Kenneth Greg Watson, Auburn, WA – Rapturous Vocalization
(click here for audio)
461. Arthur Tulee, Toppenish, WA – Losing Time
(Click here for audio)
460. Jovan Mrvos, Decatur, IN – Church of Coltrane
(click here for audio)
Blue Rivers Writers Gathering
I once attend the the Blue River Writers Gathering, a biannual gathering at the H.J. Andrews Experimental Forest whose purpose, according to their website, is: to take counsel from each other and...
Some Notes on the Minuses
I was having a discussion with an elder poet about a poetry experience that I had recently which left me feeling outside. The funny thing is that's where I want to be. I can't do anything but...
Song Cousins
My regular open mic (sorry Peter, but "mic" is short for microphone and "Mike" is short for Michael) EasySpeak Seattle has been on hiatus since February AND WE BOOKED SO MANY COOL FEATURED POETS and...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
Check out more of what the Lab does here, and listen to more current and archival podcasts on Spotify or on our website.
To get original poetry right in your mailbox this summer, check out the Poetry Postcard Fest.