Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
Interview with Bill Porter on Dancing with the Dead
Here is the video version of my March 25, 2024 interview with Bill Porter on "Dancing With the Dead: Red Pine and the Art of Translation." We talked about his life, the movie and the film which...
Zoom Interview with Nicholas Gulig on Lorine Niedecker
Imagine growing up a poet in a state like Wisconsin and having to travel to Colorado to learn about the work of Lorine Niedecker, and furthermore to have one’s own consciousness changed by...
Typewriter Poems on Request at SAM’s Remix (Crush)
With my friend, the poet Samar Abulhassan, I'll be typing spontaneous poems on demand for people attending the Seattle Art Museum's popular Remix, Friday, March 29, 2024 from 7-10pm. Really, this...
Lesley University COS 24 Talk
Lesley University COS 24 happens March 29, 2024 and I will give a talk on my graduate education and what has developed since then. COS stands for Community of Scholars and I am proud to be one,...
Red Pine Documentary
The last time we reported on Bill Porter (aka: Red Pine) we had traveled to his Port Townsend home for an interview. See: https://paulenelson.com/2019/10/14/red-pine-bill-porter-interview/ Now he's...
Poetics as Cosmology at Holden Village
Thanks to poetry hermano Raul Sanchez, I'll be facilitating my Poetics as Cosmology this summer in the North Cascades and you are welcome to hang out. The place is Holden Village. "Over the course...
Tessa Hulls Interview (Feeding Ghosts)
Tessa Hulls and I met when she donated a poster for the 2013 edition of the Allen Ginsberg Open Mic Poetry marathon. On February 20, 2024 I caught up with her on Zoom to discuss her first book, a...
Article on Cascadia by a Writer in London
The notion of bioregionalism and Cascadia has spread at least to London. I was interviewed on the subject of Cascadia by Gus Mitchell, a London-based free lance writer and was delighted to see my...
Pie & Poetry @ C&P on Valentine’s Day
Poetry Bridge is celebrating 14 years of community mic readings at C&P Coffee Company in West Seattle on Wednesday, February 14, 2024. 6:30 it's time for pie and signups. 7pm a reading that will...
Colleen McElroy Interview
In the wake of the death of Colleen McElroy on Tuesday, December 12, 2023, we are re-posting this interview conducted in 2016. This interview will be part of the next book of transcribed interviews...
DaySong Workshops
As you may know, for the last few years I have added a day-long ritual poem writing project to my array of practices. I've come to call these events "daysongs" after the Canto Diurno by the late...
Winter in America (Still call for work
Call for Poems/Prose/ArtI hope this finds you well despite this troubling political time. In response, the editors of the Winter in America anthology series are building a literary and artistic...
Linda Russo on the verdant
As the planet heats up, many animal species are either headed north or going extinct. This makes the work of the poet as witness that much more important. Who is here now? And as the culture becomes...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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