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PAUL E NELSON

Cascadia Poetry Festival 8 Paul E Nelson at the microphone

Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski

Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.

Interview with Nate Mackey

Ominous Animacy: Notes on an interview with Nate Mackey Interviewing Allen Ginsberg in 1994 introduced me to a deeper sense of Open Form. Interviewing Michael McClure in 1995 introduced me to...

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American Prophets Review

Delighted to see a kind review of American Prophets that ran in an actual NEWSPAPER! How about that. Thank you Barbara McMichael for this: The book has now sold TENS of copies! Thanks to everyone...

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Cascadia Poetry Fest in Anacortes

What great coverage in the Anacortes Arts Briefings newsletter on our May 9-12 festival: Gold Passes admit the holder to all events except Steve Kuusisto's master workshop “Have Dog, Will Travel: A...

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National Poetry Month

April is National Poetry Month and Carolyne Wright has organized a fine group of local poets to celebrate on April 23rd from 6-8pm at legendary University Books in Seattle: Join us for an epic...

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Deborah Poe

How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems?  Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.

Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.

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Deborah Poe on "flagging the apocalypse pageantry"

by Paul E Nelson