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PAUL E NELSON

Cascadia Poetry Festival 8 Paul E Nelson at the microphone

Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski

Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.– Kosho Itagaki, Soto Zen Priest

More 2012 American Sentences

OK, more harvesting done today and some news. Pablo Baler in his fascinating project The Next Thing: art in the 21st Century has a great end note to the word Greguería. It reads: 1. Greguería is...

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Intro to Reissue of McClure’s Specks

It was on my 50th birthday that I received an email from Garry Thomas Morse of Talon Books in Vancouver asking if I would be interested in writing the introduction to a reissue of Michael McClure's...

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Before Pigs

The opening poem from my current project: Pig War: & Other Songs of Cascadia. Text, with linebreaks fouled up by Wordpress, is here: https://paulenelson.com/pig-war/before-pigs/

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53. Nothing Death

53. Nothing Death A kiss is nothing in brackets. – Ramón Gomez de la Serna A poem’s nothing on paper. A stellar jay’s a punk in a western vista. Any death’s an opportunity. One wd sing his pop a...

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61. Meat Again

Nothing forgets us more quickly than a barstool. Ramon Gomez de la Serna the sheer terror of being forced into incarnation in accordance with one’s will one’s agreement with the single intelligence....

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Puget SOUND Poetry

Nico Vassilakis is curating a night of Puget Sound Poetry, Friday, March 23, 2012 7-9P at Vermillion, 1508 11th Av, as a prelude to the Cascadia Poetry Festival. Including: Cristin Miller Molly Mac...

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Six Postcards

Bhakti and I got back from an overnight sojourn to THE MULTIVERSE on San Juan Island yesterday. We went to the community/arts spot Ian, Jennifer and Gavia Boyden have created to showcase art and...

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Kozer on Seriality

In the car we listen to music almost exclusively on the old Ipod, which has remnants of the previous user's musical tastes. (Thanks Rebecca!) Were it to be passed down again, and were the new owner...

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Sam O'Hana April 16, 2025

The interview I conducted with Sam O’Hana, a Ph.D. student at CUNY, is immensely critical and immensely validating for the work we do at the Cascadia Poetics Lab. At its core, the discussion is about whether writing is for people of means, or if it can be people who have skill and something to say. It means the literary gatekeepers have failed us and have a role in perpetuating neoliberalism in North America which has paved the way for authoritarianism. The interview is available as a podcast here and as a YouTube video here. Below, I have pasted in the transcript and here is my introduction to Sam O’Hana and his topic.

Sam O’Hana on Opening Poetry to the Working Class

by Paul E Nelson