Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
“Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.”– Kosho Itagaki, Soto Zen Priest
No Results Found
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
Death Rattle, Day One
This I posted on Facebook, but thought I should post here: The Death Rattle Writer's Festival Day One happened and Janet Holmes had the highlight, for me, a touching poem about grieving the loss of...
Death Rattle, WA 129, Postcards, Cascadia Po Fest
It used to be that the summer in Seattle had very little in the way of literary arts events. When Labor Day weekend came around, poets got caught up at Bumbershoot at the Bookfair and the Sunday...
Death Rattle, Postcard Panel, IndieGoGo Request
Some events of note for those interested in my work: Monday, October 2, 2017, I have been invited to read for the Striped Water Poets in Auburn, Washington at the Rainbow Cafe, 7pm, 112 E. Main...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
Check out more of what the Lab does here, and listen to more current and archival podcasts on Spotify or on our website.
To get original poetry right in your mailbox this summer, check out the Poetry Postcard Fest.
