Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
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Responding to Ethelbert
I first met Ethelbert Miller in 1994, when I knew nothing about poetry and he was touring with the book "In Search of Color Everywhere: A Collection of African-American Poetry." We've stayed in...
PageBoy Magazine Writers on Writers
When I was asked for writing about a writer by Thomas Walton of Pageboy Magazine, I immediately thought of my homage to Sam Hamill, written in 2014 and written after the Kenneth Rexroth poem "A...
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Attending the Taos Poetry Circus in Taos, New Mexico, will always be for me like Miles Davis hearing Dizzy Gillespie and Charlie Parker for the first time in 1944. It is a feeling I'll forever be...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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