Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
“Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.”– Kosho Itagaki, Soto Zen Priest
Pierre Joris Interview (Canto Diurno #1, 2-MAY-2022)
It’s a pretty ambitious goal to write an epic poem in a day. Bernadette Mayer’s Midwinter Day, an epic about the daily routine written on Winter Solstice 1978, is like no other project that I know...
Full Earth Day Agenda
Cascadia Poetics Lab Board Member Jason Wirth and I are leading a clean-up of Chinook Beach Park on Friday, April 22 from 1-3pm. We will have some garbage bags and a couple of pickers, but feel free...
Hoa Nguyen Interview (A Thousand Times You Lose Your Treasure)
I had the good fortune to interview Hoa Nguyen on April 14, 2022 via Zoom about her book A Thousand Times You Lost Your Treasure. The video is embedded below. My post on the Cascadia Poetics Lab...
Haibun de la Serna Official Launch
Thanks to Koon Woon of Goldfish Press and Leopoldo Seguel of Poetry Bridge, the official launch of my new book Haibun de la Serna happens Wednesday, April 13 at C&P Coffee Company and online via...
Runes, Revision, Wyrd
It is such a satisfying feeling when I draw the rune Laguz during my daily morning divination. I draw a rune daily as it gives me feedback on the energies/archetypes I am swirling out on any given...
Making Peace (Journal of the Plague Years)
Journal of the Plague Years saw fit to publish my poem Making Peace, about the Russian invasion of Ukraine: https://www.journaloftheplagueyears.ink/blog/making-peace I love this publication and...
Greg Bem Reviews Haibun de la Serna
Huge thanks to Greg Bem who has authored a five star review of Haibun de la Serna. CINCO ESTRELLAS in the immortal words of jazz pianist Elisha Gullixson. Greg writes on his blog and on Goodreads:...
Poetry for Ukraine
I recently participated in a couple of readings dedicated to addressing the Russian war in Ukraine. One event I had a hand in organizing. I was honored to be asked to read for the other. March 15...
Poetics as Cosmology (Talk given to Cal State L.A., March 21, 2022)
We do what we know before we know what we do. Charles Olson,as quoted by Robert Creeley inpoets of the cities of new york and san francisco 1950-1965 (Dutton ’74). p. 62 This subject is near and...
Proprioception
Ever since Fred Wah mentioned proprioception in an interview we did that was posted on YouTube and made into a podcast, I have been plunged back into a study of this capacity. It's how human and...
Kosho, Basho, Sam, Michael
If you did not know, I participated in the Jukai ceremony on December 11, 2023, under the direction of Kosho Itagaki, at Temple Eishoji in Rainier Beach. I took refuge in the Buddha, the dharma and...
Interviewing the Interviewer: Paul E Nelson
My appreciation goes out to Melissa Lemay, who turned the tables and interviewed ME about doing interviews, American Sentences, the Poetry Postcard Fest and Allen Ginsberg, among other topics. That...
Announcing En*trance Journal
(Image: “Inga” (Detail) 65 x 85” acrylic on canvas, c.2012 © Frank Galuszka) I'm delighted to be an Editor-at-Large for a new journal out of Northern California called En*trance. It can be...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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